The next scene was the one in which Joan sees god, and Falconetti also wanted to see god, and wanted to believe, as Joan of Arc believed, that god was there, with her in the world.
She sat on a high wooden chair in the makeshift dungeon, and a man, an actor, was rehearsing the scene in which her hair is cut. As he bent close to her, his arms raised around her face, she could smell the odor from his body and his shirt and she thought to herself that god was in this man and that through this man she might see god. He was hovering over her as one might imagine the presence of a god, hovering, and when she looked up into his eyes she tried to see something or feel something or communicate something, but all she saw were his nose hairs, and she knew this wasn't a disqualification, but it was, in a way, a wall, and she couldn't get past it.
"The Faces of Joan of Arc," John Haskell
I Am Not Jackson Pollock, 2003